Notes from Roger Lipsey
“This perfectly grand image of the Crucifixion was found in a booklet, a kind of diary of drawings, as just one among ten or so brush drawings, the others of no special interest. Though monumental in “feel” and impact, it is factually a small print produced by inking and printing with the edge of an envelope or something of the kind. The method could hardly be simpler; the result could hardly be more majestic. This image recalls medieval carvings of the Crucifixion to which Merton was exposed as a boy in France, especially of the Romanesque period before the elaborations of Gothic art.
… this image of Christ Crucified draws together, remarkably, the values he most cared for as a contemporary artist and the values he most cared for as a monk …”
(Angelic Mistakes, The Art of Thomas Merton, by Roger Lipsey, p. 53)