There is no commentary in these films, nor is there any story. It is just the present.
In an essay, “A Window on the Word”, Michael Philipp describes Three Windows: Hommage a Robert Lax, a video installation produced by Humbert and Penzel after Lax's death, which attempts to approach a way of life and a philosophy with visual and aural media.
Here are a few quotes from that essay:
"We see the simple life of his hermitage, the loner’s withdrawal from the world, the outsider’s retreat , monastic, Spartan, clear-cut, yet it is also a world that can be symbolically surveyed. The symbols of everyday life, concrete, unspectacular, objective: a hat tilted at an angle on the back of the chair; a stick leaning against the door; a spoon on the table - the life of objects and life lived with those objects, the immediacy of handling them."
"Beside and in front of the symbols of the phenomena that become metaphors in the film stands the direct, the immediate and elementary: sea, house, mountain, bay - images like concepts: they show something, they explain nothing. They show what is ordinary, just as what is said is what is meant; there are no abstractions in these images or in the text, nothing sensational, nothing didactic, no secret. The only revelation is that life is the message, poetry is its medium, the word that was in the beginning is its element."
"The poet speaks: not to the camera, he does not need the camera. Nor does it trouble him either, he simply ignores it. It accompanies him - unobtrusively but intensively - not he lives without it. The poet speaks to himself, but he does not speak of himself; he speaks of the world, his world. He confesses to no belief, he is an observer; he does not describe, he names. His poems are short, clear, pointed; they are polar rather than dialectical, their subtlety does not lie in synthesis; they link opposites without neutralizing them, they create relationships: